Our blog: director's cut
Thoughts, tips, and (mostly) true tales from our nerdy world—written by people who should probably be training pixels right now. Expect a mix of production know-how, half-baked ideas we liked too much to delete, creative misadventures, and perhaps more lens flare than is strictly decent. All fueled by an alarming amount of caffeinated beverages, an even more alarming obsession with meeting deadlines, and the occasional urge to release it all as a director’s cut.
Hello. I’m the script.
You probably don’t notice me much. I’m the quiet one in the corner—coffee in hand, hair slightly frazzled, muttering things like “Do we really need that word?” while everyone else debates motion paths and gradients.
But make no mistake: I’m the one teaching this project all the right dance moves.
I’m the choreographer you forgot to credit
Every video Honeycutt Inc. produces starts with me. I decide who twirls, who pauses, and when the emotional bass drop hits.
I jailbreak simplicity from the prison of complexity.
I cue the transitions, set the tempo, and make sure the story glides instead of stumbles. You can thank me for that moment where the narration hits exactly as the logo swoops in—yeah, that’s my choreography.
You might think of me as “just words,” but really, I’m the metronome everyone’s dancing to.
Blow me off and find out
Ignore me at your own peril.
I’ve seen it before. Someone decides they’re too busy to review me. So, the designers start animating anyway. The host wings it. The demo drifts into a soliloquy of value propositions.
It’s chaos—pretty chaos, maybe, but chaos all the same.
By the time I’m finally invited back (“We should update the script”), the production is already leaping about in 12 directions, burning hours and budget like stage lights in July. Nobody wants that.
Visual changes? Delays.
Voiceover redos? You guessed it—delays and more invoices.
I could’ve prevented it, but no one asked me.
Give me some attention
When you give me your attention early, when you let me choreograph the players before the dancing begins, magic happens. Sparks fly.
Suddenly, the visuals have rhythm and just the right amount of lens flare. The narration flows. The message lands gracefully on its mark, confident and clear. Everyone’s in sync: creative, client, and caffeine alike.
And best of all? The project stays on time. On budget. On beat.
Done right, everything just works
I don’t take a bow. I don’t get applause. But when it all works—the pacing, the tone, the effortless movement from one idea to the next—I’m smiling quietly backstage, knowing the dance went exactly as planned.
Because that’s my job.
I’m the script.
I don’t dance. I direct the dance.
And when I’m done right, nobody notices me at all. They just feel like everything moved exactly the way it was supposed to.
FAQs
The questions you ask most the answers we swear are mostly true.
Often enough to keep things fresh, not so often that you’ll need to fake a Wi-Fi outage to escape us. Think “just right,” like a well-timed dolly shot. Plain English? About once a week.
The idea is half the work, so we definitely welcome your ideas on production, tech, storytelling, or the eternal mystery of lens flare. If it’s intriguing, mildly absurd, or could cause an existential crisis about aspect ratios, we’re in. Contact us to submit your ideas.
Sometimes. Especially if you’re funny, insightful, or have a behind-the-scenes story too good to waste at a dinner party. Bonus points if it involves improbable props or well-trained pixels. Contact us to talk about it.
Our in-house mix of IT and video nerds—the same people behind our productions. They bring the same mix of technical precision, creative spark, and occasional overuse of metaphor to every post.
Yes. In quantities alarming to most medical professionals. We’d explain further, but the espresso machine just released a triumphant puff of steam, and we know better than to keep it waiting.